Textbook Reflection Chapters 1-5
Sharing literature with children is essential to the soul
and essential. There are many reasons why this is necessary. Sharing literature
with children is first and foremost fun, it promotes engagement in things that
are fun and interesting. It aids in the development of language and self-reporting
(the more you read the more you learn). Sharing literature also developments
life-long readers who want to see themselves in books-reading autobiographically.
It also gives you a point of view, intrinsic experiences and a joy for reading.
Young People’s Literature is broken up into four divisions. First
is Children’s Literature (ages 0-8) normally consist of wordless picture books
and easy readers to name a couple. Second, we have Middle Grade/Tween (age
8-12). Middle grades are often confused with middle school (11-13). Third,
there is Young Adult (13-18). YA pushes a lot of strong language and content- “Grasshopper”.
And the fourth division is New Adult (18-30). This division appeared in 2009
that looked to attract the slightly older than YA audience but also appealing
to the adult audience.
It is important to know the difference between genres and
formats so we can better serve or students and be able to present the correct
language. Genres consist of fiction and nonfiction. Everything else is a
sub-genre. Fiction branches off to Realism and Fantasy. Realism consist of
Realistic/Modern Contemporary and Historical Fiction. Fantasy goes to Traditional
(fairy tale, ballad, fable, fork tale, legends, and myth). The other side of
Fantasy is Modern, which consist of hard science fiction, soft science fiction,
low fantasy and high fantasy. Nonfiction will consist of informational,
biography, autobiography, memoirs, narrative and expository nonfiction. Formats
consist of poetry, drama, novels, chapter books, short stories, picture books
and graphic novels.
Young Literature of YA consist of ten criteria’s. It
involves protagonist, a point of view from an adolescent perspective, directness
regarding exposition, involves important main character changes, growth in
contemporary issues, main characters who are accountable for consequences and
actions, brief time periods, limited settings and few well-developed
characters. It also draws a sense of adolescent development.
We need to know the reader before we can successfully match
them to a book. We learn this through an adolescent’s development in the
physical-puberty, intellectually-concrete to abstract, morally pre-conventional,
conventional and post-conventional, through their needs-self-actualization,
esteem, love/belonging, safety and physiological.
Chapters 1-5 gives me a better understanding of what to look
for in book choices, who to distinguish diverse types and how to best relate to
the reader by understanding their needs. These still are essential to
developing life-long readers.